Jed Wentz, 'Deformity, Delight and Dutch Dancing Dwarfs: An Eighteenth-Century Suite of Prints from the United Provinces' in Music in Art, Vol. 36, No. 1/2, Dance & Image (Spring-Fall 2011), pp. 161-200.

 

Anne Smith and Jed Wentz, 'Gustav Maria Leonhardt in Basel. Portrait of a Young Harpsichordist' in Basler Jahrbuch für historische Musikpraxis, Band 34 (2010).

 

Jed Wentz, 'An Annotated Livret of Lully's Roland as a Source for Seventeenth-Century Declamation' in Cambridge Opera Journal, Vol. 25, Issue 01, March 2013, pp. 1-36.

 

Jed Wentz, 'Gustav Leonhardt, the Naarden Circle and Early Music's Reformation' in Early Music, Vol. 42, No. 1 (February 2014), pp. 3-12.

 

Anna de Haas and Jed Wentz,'Les Enfans du Sr. Frederic: The Identities and Performances of a Theatre Family Active in the Unites Provinces, 1758-1763' in European Drama and Performance Studies (2015-1), No. 4, special issue 'Dance and the Dutch Republic', guest eds. Michiel Schuijer and Jed Wentz, 95-144.

 

Jed Wentz, 'Mechanical Rules Versus Abnormis Gratia: Revaluing Gilbert Austin's Chironomia (1806) as a Source for Historical Acting Techniques' in Theatrical Heritage: Challenges and Opportunities, Bruno Forment & Christel Stalpert, eds. (Leuven: Leuven University Press, 2015), pp. 41-57.

 

Jed Wentz, 'H.R. and the Formation of an Early Music Aesthetic in the Netherlands (1916-1921): https://www.forschung.schola-cantorum-basiliensis.ch/de/forschung/ina-lohr-project/rutters-and-the-early-music-aesthetic.html (last accessed 18-08-2022).

 

Jed Wentz, 'On the Protestant Roots of Gustav Leonhardt's Performance Style' in The Journal of the Riemenschneider Bach Institute, Vol. 48, No. 2 and Vol. 49, No. 1, 2018, pp. 48-92.

 

Jed Wentz, 'I Was Just Saying The Lines', forthcoming in 'Historical Acting Techniques and the 21-Century Body', ed. Jed Wentz, European Drama and Performance Studies Journal, 2022-2, no. 19.

 

Jed Wentz and The Dutch Historical Acting Collective, 'A Roundtable on Embodiment in Research', forthcoming in 'Historical Acting Techniques and the 21-Century Body', ed. Jed Wentz, European Drama and Performance Studies Journal, 2022-2, no. 19.

 

Jed Wentz, 'And the wing’d muscles, into meanings fly': practice-based research into historical acting through the writings of Aaron Hill', forthcoming in 'Historical Acting Techniques and the 21-Century Body', ed. Jed Wentz, European Drama and Performance Studies Journal, 2022-2, no. 19.

 

Xavier Vandamme and Jed Wentz, 'Seven Propositions Towards the Establishment of a New Kind of Theatre Festival', forthcoming in 'Historical Acting Techniques and the 21-Century Body', ed. Jed Wentz, European Drama and Performance Studies Journal, 2022-2, no. 19.

 

Jed Wentz, 'Arnold Schoenberg’s Pierrot lunaire (1912) as Romantic Melodrama. A Proposed Methodology', forthcoming in Leidschrift.

 

Jed Wentz,The Subjective in Authenticity: A Performer’s Perspective, forthcoming in Veröffentlichungen der Internationalen Händel-Akademie.